Showing posts with label Related art events. Show all posts
Showing posts with label Related art events. Show all posts
June 2, 2009
April May Activities 2009
The month of April and May were busy busy busy for stage候台BACK and stage候台BACK artists all around the globe. Rolf A. Kluenter took an exhibition world tour to several countries in Europe and Bahrain and opened with 3 different group shows in Shanghai. Kristian v. Hornsleth moved on to Lausanne to take more blood. Sylvie Tillmann opened candyfloss overboard for the first time in Germany. Laurent Friquet had his gig at the Grand Palais in Paris. And myself had the pleasure to expose together with Philippe Assalit in Paris. Below lot's of picture footage about those related art events.
Laurent Friquet @ Grand Palais Paris @ FORCE DE L'ART 02
Sylvie Tillmann @ Teapot Cologne "candyfloss overboard"
Kristian v. Hornsleth in Lausanne / CH with Deep Storage Project.
Rolf A. Kluenter at the MoCA Shanghai Merging Emerging-Art, Utopia and Virtual Reality
Laurent Friquet @ Grand Palais Paris @ FORCE DE L'ART 02
Sylvie Tillmann @ Teapot Cologne "candyfloss overboard"
Kristian v. Hornsleth in Lausanne / CH with Deep Storage Project.
Rolf A. Kluenter at the MoCA Shanghai Merging Emerging-Art, Utopia and Virtual Reality
March 19, 2009
Art Paris Opening 18.03.2009
Le Grand Palais
Acte 2 Galerie, booth P32: France first lady - Susanne Junker - Philippe Assalit and their work!
115 galleries / 800 artists / Grand Palais / march 19-23 2009
Upcoming on March 19th, ARTPARIS will be kicking off its eleventh edition, inviting international collectors, professionals and lovers of art from the world of art to visit the more than one hundred galleries which will be brought together under the majestic dome of the Grand Palais through March 23rd, 2009. 115 of the most dynamic galleries of modern and contemporary art currently active on the international art market they will offer a vast panorama of the art of the 20th and 21st centuries as represented through a range of media from painting, sculpture, drawing, photography, video, installation and performance.
ARTPARIS 邀請國際收藏家，專業人士和愛好者的藝術世界 藝術訪問超過100畫廊將匯集 在雄偉的圓頂大皇宮通過2009年3月23日。 115 畫廊的最有活力的現代和當代藝術目前活躍 國際藝術市場，他們將提供一個廣闊的全景藝術的第20和 21世紀為代表通過各種媒體從繪畫，雕塑， 繪畫，攝影，錄像，安裝和運行。
ARTPARIS 邀請國際收藏家，專業人士和愛好者的藝術世界 藝術訪問超過100畫廊將匯集 在雄偉的圓頂大皇宮通過2009年3月23日。 115 畫廊的最有活力的現代和當代藝術目前活躍 國際藝術市場，他們將提供一個廣闊的全景藝術的第20和 21世紀為代表通過各種媒體從繪畫，雕塑， 繪畫，攝影，錄像，安裝和運行。
March 18, 2009
Laurent Friquet
stage候台BACK is proud to announce the future collaboration with French multi media & performance Artist Laurent Friquet. Laurent Friquet's latest performance "A Trip Around" will be shown at the Force de l'Art #02 at the Grand Palais in Paris, France this Spring. Friquets first appearance at stage候台BACK will be at the coming up 696 open door event in April 09. He presents one of his video works at the stage候台BACK video exhibit. A solo show is in its planning for the coming up fall.stage候台BACK 很高興和大家揭曉我們的新勾結和一個法國多媒體&續集藝人Laurent Friquet. Laurent Friquet's 最新的表演演出" A trip Around -旅程 "會在Force de l'Art #02, Grand Palais 巴黎，法國在這春天. Friquets 第一次的演出會在四月俸09年，696每年約會. 個人演出（活動）精打細算在這來的夏天.
A Trip Around Concert Performance
April 30th 2009 at 9.30pm
Force de l'Art 02 Grand Palais « Les Invités »
In the work of Laurent Friquet a poetic builds up itself without accommodation where the object and the being are put on the same plan. His photos, films and performances hallucinated are sometimes ballads in the city, sometimes disturbing dance of a tightrope walker, or still the construction of a personal cosmos makes of flesh or sky.
The music, inspired or consisted, is an essential element in the elaboration of the device insidious and secret fictional.
The music, inspired or consisted, is an essential element in the elaboration of the device insidious and secret fictional.
A Trip Around, investigates the relation always rich in jolts of the relations man-woman. Not living simple in the words, but in the tense and ambiguous connections between both characters, as much as in the erotic air which they inhale. In this proposition we are in front of a total freedom of acts, sounds and images to arrive to a shape of fervent break, not without humor always.
Concept : Laurent Friquet
Musician / Interprets : Marie-Pierre Brébant
Costumes : Corinne Petitpierre
Production : Zerep Cie
Coproduction and residence : Centre National de Danse Contemporaine ANGERS.
For press material and more information please contact Samantha Barroero: laurentfriquet@gmail.com
A Trip Around －旅程，調查的關係，總是豐富的震動的關係男女。不是生活簡單的話，但在緊張和模糊這兩個字符之間的關係一樣，在這些色情空氣吸入。在這一命題，我們在前面的完全自由的行為，聲音和圖像到達一個形狀熱切休息，總是不無幽默。
概念 : Laurent Friquet
音樂家 / 議員 : Marie-Pierre Brébant
服裝 : Corinne Petitpierre
生產 : Zerep Cie
生產 和 居所 : Centre National de Danse Contemporaine ANGERS.
記者報到資料情找 Samantha Barroero: laurentfriquet@gmail.com
Force de l’Art 02 : http://www.laforcedelart.fr/02/
Musician / Interprets : Marie-Pierre Brébant
Costumes : Corinne Petitpierre
Production : Zerep Cie
Coproduction and residence : Centre National de Danse Contemporaine ANGERS.
For press material and more information please contact Samantha Barroero: laurentfriquet@gmail.com
A Trip Around －旅程，調查的關係，總是豐富的震動的關係男女。不是生活簡單的話，但在緊張和模糊這兩個字符之間的關係一樣，在這些色情空氣吸入。在這一命題，我們在前面的完全自由的行為，聲音和圖像到達一個形狀熱切休息，總是不無幽默。
概念 : Laurent Friquet
音樂家 / 議員 : Marie-Pierre Brébant
服裝 : Corinne Petitpierre
生產 : Zerep Cie
生產 和 居所 : Centre National de Danse Contemporaine ANGERS.
記者報到資料情找 Samantha Barroero: laurentfriquet@gmail.com
Force de l’Art 02 : http://www.laforcedelart.fr/02/
March 14, 2009
NEXUS fragility report
Rolf A. Kluenter travels the world, next stop is NEXUS fragility report - Below info about his new solo show at Backyard gallery in Copenhagen Denmark.ROLF A. KLUENTER (DE)
Solo exhibition
20. MAR – 4. APR 2009
Welcome to the opening: Friday 20. MAR 17.00 – 20.00
‘Fragility Report’ is the third cycle of Rolf A. Kluenter’s Shanghai works that he created in this Chinese Mega-Metropolis during his resident-ship since 2000. This cycle presents a range of works that acquires the density of objects without losing the free form of inwardness that paint evokes. ‘Fragility Report’ gives an insight into Kluenter’s observation of urbanity as an awe-inspiring reality. These aspects of Kluenter’s aesthetics might bear strong reminiscences of scenes and atmospheres of 19th century Romanticism. In contrast, however, his recourses and references rather relate to the “Dynamics” of a mega-urban scenario than to the “Mighty” of Nature.
More on Backyard gallery here
Art Paris 巴黎藝術
Susanne Junkers work Geiles Globales Gesicht will be on view at Art Paris next week.
Please look out for Acte2 Galerie, booth P32
Art Paris 19 - 23 mars 2009 Grand Palais
云筱苏 做平 叫做 Geiles Globales Gesicht 下週會在Art Paris 展覽會。
情看下 Acte2 Galerie P32 Art Paris攤子 03月09年19日－23日 Grand Palais
696 OPEN STUDIOS 2009 - SAVE THE DATE 日期出來了
After last nights meeting at Maleonn's studio, the 696 community confirmed the dates for the 696 open studio event.
Saturday 18th + Sunday 19th of April 2009
1pm - 8 pm
More information on this blog with a clearer event map coming soon...
昨晚委員會會議在 Maleonn's工作室 借宿后，696委員確定了696的每年約會日期。更多信息關於這個博客
週六 18日 ＋ 週日 19日 2009年
下午，1點 － 8點
更多信息關於這個博客和比較清楚的活動地圖馬上..
March 6, 2009
Merging Emerging Art Utopia Virtual Reality (柯罗夫项目MOCA show #1)
Related Art Event at the Museum of Conteporary Art in Shanghai
Visit the MoCA Shanghai website here
Exhibition: Merging Emerging Art Utopia Virtual Reality Venue: Shanghai Museum of Contemporary Art Exhibition Period: March 8 – May 15, 2008 柯罗夫 Rolf A. Kluenter 柯罗夫项目 Ke Luo Fu Project
Installation Chinese Title: 源点 Pinyin: Yuan Dian English Title:: Core Periphery One Subtitle CN: “幻觉由人而生，贫道怎能解释。” Subtitle EN: The source of illusions lies within mind.
Production period 2008/09 Installation details: Installation multi-media interactive walk-in box 5 in-built sensors, 1 bench, 1 canvas Mirrors, 2light bulbs, mixed media objects, Wallpapers, beamer, software, whispering voice, loop Dimensions: 370x 680 x 570 cm Based on: 畫壁 The Painted Wall, from 聊斋志 (Liaozhai Zhiyi) - Strange Stories from a Chinese Studio, a classical novel written by蒲松龄Pu Songling during Qing Dynasty.
Performing artist: Gabriella Chen Voice: 于烨Yu Yi Production Team: 程智 Richard Cheng Artistic Director Creative High Tech Solutions 俞晓明 Yu Xiaoming Technology support王玉鹏Wang Yupeng Video editing 车炜奇Che Weiqi Software support In cooperation with: 张江超艺多媒体系统有限公司Zhangjiang Leapideas Multimedia System Co.Ltd. Bodhi Bonzai Production, Shanghai Rolf A. Kluenter ‘The Ke Luo Fu Project’ is represented by TEAPOT Gallery, Cologne, Germany and stage候台BACK Gallery, Shanghai, China. Teapot Gallery will exhibit Rolf A. Kluenter ‘The Ke Luo Fu Project’ in the format of 6 times ‘Jour Fix 24 Hours Events’ from July 2009 until June 2010 in Germany.
Installation Chinese Title: 源点 Pinyin: Yuan Dian English Title:: Core Periphery One Subtitle CN: “幻觉由人而生，贫道怎能解释。” Subtitle EN: The source of illusions lies within mind.
Production period 2008/09 Installation details: Installation multi-media interactive walk-in box 5 in-built sensors, 1 bench, 1 canvas Mirrors, 2light bulbs, mixed media objects, Wallpapers, beamer, software, whispering voice, loop Dimensions: 370x 680 x 570 cm Based on: 畫壁 The Painted Wall, from 聊斋志 (Liaozhai Zhiyi) - Strange Stories from a Chinese Studio, a classical novel written by蒲松龄Pu Songling during Qing Dynasty.
Performing artist: Gabriella Chen Voice: 于烨Yu Yi Production Team: 程智 Richard Cheng Artistic Director Creative High Tech Solutions 俞晓明 Yu Xiaoming Technology support王玉鹏Wang Yupeng Video editing 车炜奇Che Weiqi Software support In cooperation with: 张江超艺多媒体系统有限公司Zhangjiang Leapideas Multimedia System Co.Ltd. Bodhi Bonzai Production, Shanghai Rolf A. Kluenter ‘The Ke Luo Fu Project’ is represented by TEAPOT Gallery, Cologne, Germany and stage候台BACK Gallery, Shanghai, China. Teapot Gallery will exhibit Rolf A. Kluenter ‘The Ke Luo Fu Project’ in the format of 6 times ‘Jour Fix 24 Hours Events’ from July 2009 until June 2010 in Germany.
March 3, 2009
Junkers work review on the KUNST BLOG
To read the whole review please click here
Thanks to Markus Wirthmann and writer and art critic R.A Suri
R A Suri (born: 1970, Montreal) is an autodidact artist/curator/critic/poet & writer.. He began as a freelance journalist in 1987 followed by independent investigations & research in socio-political experiments in film and theatre. As an artisan , artist & curator, has acted as an assistant director for Les Ateliers Graff- centre for contemporary printmaking(Montreal), Isart-independent centre for contemporary art (Montreal), artistic director for DDM Warehouse-centre for experimental art (Shanghai) where he spearheaded over 14 exhibitions & events from 2005-2006 with an axis on emergent artists from across S E Asia & in-situ creation. Independent projects since include artistic consultancy/direction for local and international figures in contemporary & experimental art within the mainland of China.
As a literary figure and critic/editor, he has acted as editor-in-chief for “Images: Revue Interculturelles” (Montreal), associate editor for “Ruptures: Literary Review of the Three Americas” (Montreal), the “Chinese Contemporary International Poetry Quarterly” (Chongqing), “Ling Du”-(Zero Writing) Literary Samizdat Journal (Shanghai), “Poetry Circle Quarterly” (Hong Kong) & “Sa Jiao” Literary Review (Shanghai). He was featured as a principle editor for the 2004 Anthology of New Chinese Poetry in Translation (Chongqing), a seminal project towards the promotion of new literature & poetry at an international scale. He has acted as an associate editor of “Yishushijie (Artworld) Magazine” since 2003. Since his arrival to Shanghai in 2001, he is the author of over 140 critical texts relating to contemporary art & performance published by both private and public press.
Regarding his own poetry, the seminal poet/performance artist of the Neo-Avant Garde movement, Julien Blaine cites…’a poetic of exquisite sensitivity…reminiscent of Giorno…with a profound sense of spirituality belonging to neither the Occident nor Orient” & the NYC based poet/video/performance artist Ellen Zweig…”a self-styled, ecstatic lyricist”.
His engagement in film and theatre brought him to work in concert as artistic director for the “Chinese and South East Asian Independent Film Festival “(Montreal), Pan Production Studio/Barrandov Studios (Prague), numerous documentary and television projects (BBC Channel 4) & cultural editor of Shanghai Television/Shanghai Broadcast Network. Contemporary Dance/Theatre works include his involvement in productions for “The Other Theatre” (Montreal), l’Agora de la Danse (Montreal) &“Zhu He Niao” (Shanghai). He has published extensively on the topics of Butoh, performance art & the evolution of physical theatre.
Current projects include acting as a literary consultant & editor for the forthcoming Pan-Asian
edition of “Doc(K)s- Review of New Literature” (Marseilles), an exploration on the emergence of new writing/visual experimentation in the Orient, the production of an independent documentary film & a volume of new poetry.
As a literary figure and critic/editor, he has acted as editor-in-chief for “Images: Revue Interculturelles” (Montreal), associate editor for “Ruptures: Literary Review of the Three Americas” (Montreal), the “Chinese Contemporary International Poetry Quarterly” (Chongqing), “Ling Du”-(Zero Writing) Literary Samizdat Journal (Shanghai), “Poetry Circle Quarterly” (Hong Kong) & “Sa Jiao” Literary Review (Shanghai). He was featured as a principle editor for the 2004 Anthology of New Chinese Poetry in Translation (Chongqing), a seminal project towards the promotion of new literature & poetry at an international scale. He has acted as an associate editor of “Yishushijie (Artworld) Magazine” since 2003. Since his arrival to Shanghai in 2001, he is the author of over 140 critical texts relating to contemporary art & performance published by both private and public press.
Regarding his own poetry, the seminal poet/performance artist of the Neo-Avant Garde movement, Julien Blaine cites…’a poetic of exquisite sensitivity…reminiscent of Giorno…with a profound sense of spirituality belonging to neither the Occident nor Orient” & the NYC based poet/video/performance artist Ellen Zweig…”a self-styled, ecstatic lyricist”.
His engagement in film and theatre brought him to work in concert as artistic director for the “Chinese and South East Asian Independent Film Festival “(Montreal), Pan Production Studio/Barrandov Studios (Prague), numerous documentary and television projects (BBC Channel 4) & cultural editor of Shanghai Television/Shanghai Broadcast Network. Contemporary Dance/Theatre works include his involvement in productions for “The Other Theatre” (Montreal), l’Agora de la Danse (Montreal) &“Zhu He Niao” (Shanghai). He has published extensively on the topics of Butoh, performance art & the evolution of physical theatre.
Current projects include acting as a literary consultant & editor for the forthcoming Pan-Asian
edition of “Doc(K)s- Review of New Literature” (Marseilles), an exploration on the emergence of new writing/visual experimentation in the Orient, the production of an independent documentary film & a volume of new poetry.
類風濕性關節炎蘇瑞（出生： 1970年，蒙特利爾）是一個autodidact藝術家/策展人/評論家/詩人＆ 作家..他開始作為一個自由撰稿人在1987年獨立之後， 調查與研究中的社會政治實驗電影和戲劇。同樣地 一個工匠，藝術家及策展人，擔任助理署長為法國製造 格拉夫中心當代版畫（蒙特利爾） ， Isart獨立中心 當代藝術（蒙特利爾） ，藝術總監DDM的倉庫中心 實驗藝術（上海） ，他率先超過14展覽及活動由 2005-2006年的軸應急藝術家來自全國各地及東南亞地區的原位 創造。自獨立的項目包括藝術顧問/方向 當地和國際人士在當代與實驗藝術的 祖國大陸。
他參與的電影和戲劇的工作使他在演唱會的藝術總監的“中國和東南亞獨立電影節” （蒙特利爾） ，潘Production Studio中/ Barrandov工作室（布拉格） ，無數的紀錄片和電視項目（英國廣播公司第4頻道）及文化編輯上海電視台/上海廣播網絡。當代舞蹈團/劇院工程包括他參與製作的“其他劇場” （蒙特利爾） ，歐萊雅小組德拉薩舞（蒙特利爾） ＆ “朱赫妮遨” （上海） 。他出版了廣泛的專題舞踏，表演藝術的演變與物理劇院舉行。
目前的項目包括作為文學顧問和編輯為即將舉行的泛亞洲
版的“文件（金）的S -審查新文學” （馬賽） ，探索，出現了新的寫作/視覺試驗在東方，製作一個獨立的紀錄片及大量的新詩。
目前的項目包括作為文學顧問和編輯為即將舉行的泛亞洲
版的“文件（金）的S -審查新文學” （馬賽） ，探索，出現了新的寫作/視覺試驗在東方，製作一個獨立的紀錄片及大量的新詩。
February 5, 2009
Rolf A. Kluenter fragility report［柯罗夫弱報道］, March 20 -April 4, 2009 Backyard Gallery Højbro Plads 21B 1200 Copenhagen Denmark
Rolf A. Kluenters fragility report, more info hereRolf A. Kluenter ‘Fragility Report’ Works 2006 - 2009
‘Fragility Report’ is the third cycle of Rolf A. Kluenter’s Shanghai works that he created in this Chinese Mega-Metropolis during his resident-ship since 2000. This cycle presents a range of works that acquires the density of objects without losing the free form of inwardness that paint evokes. ‘Fragility Report’ gives an insight into Kluenter’s observation of urbanity as an awe-inspiring reality. These aspects of Kluenter’s aesthetics might bear strong reminiscences of scenes and atmospheres of 19th century Romanticism. In contrast, however, his recourses and references rather relate to the “Dynamics” of a mega-urban scenario than to the “Mighty” of Nature.
Rolf A. Kluenter looked into areas excessively and radically over-constructed by human hand and chose as his central theme an extreme of civilization-appropriation that itself in the rapidly growing Asian metropolises became reality within a very short time. He translates and captures elemental cellular patterns of growth that serializes the depth of unrestrained proliferation of over-construction. This process simultaneously happens with the de-construction of existing urbanity.
In his picturesque abstractions, the aesthetics from both worlds -the Western contemporary art inventions and the Oriental artistic traditions- seem to resonate: basic geometric elements calligraphically condensed; subtle running colors casting imaginary spaces; lines and hatching; application of the brush and meander, glazes and overlapping; blank spaces and contrast. His entire repertoire of non-representational filigree shapes, an essentially free interplay of artistic elements, is reminiscent of, but not identical with, handwriting.
Kluenter applies a wide range of color media (fine color pigments, nail polish from fashion trends, enamel sprays from metallurgy and Chinese ink) to the canvas whose surfaces combined with these media yield their own particular textures, inextricably interweaving transparency with color, fragility with strength and, thus creating a subtle experience of "pure materiality".
All elements put together to create a melting merger atmosphere could therefore have a very well meditative balance, representing a peaceful dialogue between the various applications and media, wouldn't Kluenter have integrated some medium-seriously disruptive action: irritating dots and spots, fractures, slants and distortions. He doesn't call this particular cycle of works "fragility report" without reason, alluding thereby to the vulnerable and fragile aspects of life, a suddenly appearing catastrophe, the unexpected crisis or the abrupt obstacles which radically demonstrate that the experience of insecurity, uncertainty and impermanence are the ever-present co-emerging factors of our existence. Kluenter's ‘Fragility Report’ in this sense can be seen as an artistic answer to unforeseen encounters on a virtual map: they show the borders of the enlightened art history and refer indirectly to other human abilities: improvisation for example.
Rolf A. Kluenter, an on-going experimenter in his domain, often displays his paintings in series as ever so many declinations of basic emotional positions. His works, as himself, are situated between cultures, crossing borders, intersecting at cross-cultural pathways in the concrete as well as the artistic domains.
‘Fragility Report’ is the third cycle of Rolf A. Kluenter’s Shanghai works that he created in this Chinese Mega-Metropolis during his resident-ship since 2000. This cycle presents a range of works that acquires the density of objects without losing the free form of inwardness that paint evokes. ‘Fragility Report’ gives an insight into Kluenter’s observation of urbanity as an awe-inspiring reality. These aspects of Kluenter’s aesthetics might bear strong reminiscences of scenes and atmospheres of 19th century Romanticism. In contrast, however, his recourses and references rather relate to the “Dynamics” of a mega-urban scenario than to the “Mighty” of Nature.
Rolf A. Kluenter looked into areas excessively and radically over-constructed by human hand and chose as his central theme an extreme of civilization-appropriation that itself in the rapidly growing Asian metropolises became reality within a very short time. He translates and captures elemental cellular patterns of growth that serializes the depth of unrestrained proliferation of over-construction. This process simultaneously happens with the de-construction of existing urbanity.
In his picturesque abstractions, the aesthetics from both worlds -the Western contemporary art inventions and the Oriental artistic traditions- seem to resonate: basic geometric elements calligraphically condensed; subtle running colors casting imaginary spaces; lines and hatching; application of the brush and meander, glazes and overlapping; blank spaces and contrast. His entire repertoire of non-representational filigree shapes, an essentially free interplay of artistic elements, is reminiscent of, but not identical with, handwriting.
Kluenter applies a wide range of color media (fine color pigments, nail polish from fashion trends, enamel sprays from metallurgy and Chinese ink) to the canvas whose surfaces combined with these media yield their own particular textures, inextricably interweaving transparency with color, fragility with strength and, thus creating a subtle experience of "pure materiality".
All elements put together to create a melting merger atmosphere could therefore have a very well meditative balance, representing a peaceful dialogue between the various applications and media, wouldn't Kluenter have integrated some medium-seriously disruptive action: irritating dots and spots, fractures, slants and distortions. He doesn't call this particular cycle of works "fragility report" without reason, alluding thereby to the vulnerable and fragile aspects of life, a suddenly appearing catastrophe, the unexpected crisis or the abrupt obstacles which radically demonstrate that the experience of insecurity, uncertainty and impermanence are the ever-present co-emerging factors of our existence. Kluenter's ‘Fragility Report’ in this sense can be seen as an artistic answer to unforeseen encounters on a virtual map: they show the borders of the enlightened art history and refer indirectly to other human abilities: improvisation for example.
Rolf A. Kluenter, an on-going experimenter in his domain, often displays his paintings in series as ever so many declinations of basic emotional positions. His works, as himself, are situated between cultures, crossing borders, intersecting at cross-cultural pathways in the concrete as well as the artistic domains.
Rolf A. Kluenters a.k.a 柯罗夫計劃2009年
sleepless nights
timezone 8
ghost and demaons are afraid
Ke Luo Fu works again
his mind has broken the entire chain
at dawn we ll see
what really will be
success or another
illusory bublbe
柯罗夫 Projects, please click here for more information
January 6, 2009
Geiles Globales Gesicht @ #1 Art Museum Shanghai China
I was invited to participate in a group show together with Tan Gengxiong last December. It was held at the #1 Art Museum in Shanghai, 1 Jianguo Rd. This event also being covered on citybeat
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